Beschrijving
Original publisher’s sewn blue paperback, title spine and frontcover, large 8vo: [viij], 210pp., [6]pp., 15 contributions, footnotes, referencesgeneral bibliography, list contributors, index. CONTRIBUTIONS: 1. Wendy Everett: Introduction From Frame to Frame: Images in Transition. 2. Phil Powrie: The family portrait, trauma and the punctum in Distant Voices, Still Lives [1988]. 3. Peter Wagstaff: The Dark Side of Utopia: Word, Image, and Memory in Georges Perecs Récits dEllis Island: histoires derrance et despoir. 4. Christopher Shorley: History, Memory, and Art in Louis Malles Au revoir, les enfants. 5. Wendy Everett: Mapping Iceland or the Identity of Space: Cold Fever. 6. Gretchen Bisplinghoff: Irish Images: Constructs of Film Space/Time. 7. Ernie Hampson: Mocking the Mafia: Ciprì and Marescos Sicilian Apocalypse. 8. Ann Jäckel: Too Late? Recent Developments in Romanian Cinema. 9. María Camí-Vela: From Reespañolear to Europeizar : The Subversion of Francoist Mythology in La flor di mi secreto [The Flower of my Secret] by Pedro Almodóvar. 10. Patrick Williams: Entering and leaving modernity – Utopia and dystopia in Mambetys Touki Bouki and Hyènes. 11. Susan Hayward: Luc Bessons Cinquième élément (1997) and the Spectacular: The City-Body and the Sci-Fi movie. 12. Lorna Fitzsimmons: Of Broken Wall, the Burning Roof and Tower: Gyno-Turning in Limit Up and Svankmajers Faust. 13. Elisa Bussi: Voyages and border crossings: Jane Campions The Piano [1993]. 14. Steve Wharton: Pédés et polémiques: Faggots and Fireworks – Les Nuits fauves and its moral[ity]. 15. Raya Morag: Life-Taker Heart-Breaker: Mask-ulinity and/or Femininity in Full Metal Jacket. Very fine copy – as new., Volume 14: Critical Studies. A Journal of Critical Theory, Litherature & Culture.